Posted
By
Ethan de Seife
on Mon, Aug 10, 2015 at 4:40 PM
click to enlarge
Llu Mulvaney-Stanak
Team WBTV-LP producing its Radio Race entry
It’s no big surprise that Llu Mulvaney-Stanak is so passionate about the expressive and communicative powers of radio. When she and her twin sister were infants, their mother would bring them with her into the offices of Goddard College’s radio station
WGDR. “She took us in a basket and set us underneath the radio console while she would do her radio shows there,” says Mulvaney-Stanak.
Those radio waves must have had a strong impact, as Mulvaney-Stanak has made a career in sound. As
DJ Llu, she’s been spinning tunes for more than 15 years at nightspots all over Burlington. She hosts a weekly show on the University of Vermont’s radio station,
WRUV (and used to host
Seven Days’ podcast “Tour Date with DJ Llu”). And she’s the development and outreach coordinator for
VCAM, Burlington’s community media-making organization, where she’s involved with audio and video projects of all kinds. But, she says, “My first love is, first and foremost, radio.”
Already a fixture on Soundcloud, Mulvaney-Stanak and a small group of like-minded radio enthusiasts have used that website to share a short audio piece that seems like it could be a transmission from the future of radio. Team WBTV-LP (see below for that acronym’s significance) — which consists of Mulvaney-Stanak, Rob Henkel and Tiffany Lee — has created a radio piece titled “Tattoo a Unicorn on Your Forehead” as their entry into an online radio competition called the
Radio Race. You can hear their entry below.
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Posted
By
Ethan de Seife
on Thu, Jul 30, 2015 at 11:21 AM
Denisismagilov | Dreamstime.com
Oplerno, the online-only, college-level educational venture founded by South Burlington’s Rob Skiff, has been targeting bloat in higher education for two years.
Oplerno is one of a small number of undertakings that aim to democratize higher education by restoring greater autonomy to faculty members, allowing for greater student choice, and reducing costs by elminating infrastructural metastasis — all while providing high-quality education. In May 2014, Oplerno
received approval from the Vermont State Board of Education, so its courses can be taken for college credit.
With its upcoming second annual
Woodblock seminar series, Oplerno is applying the same disruptive model to that bulwark of traditional university life, the academic conference. Woodblock is free for all participants and, since it takes place online, does not require any costly travel or lodging arrangements.
Moreover, though the conference will convene for a daylong session on Tuesday, August 4, it is not circumscribed by time. Its half-dozen multimedia sessions will
live on in perpetuity online.
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Posted
By
Margot Harrison
on Fri, Jun 12, 2015 at 4:18 PM
It's summer. And, like most of us, writers are leaving their cocoons and getting around.
Where are you going to find a literary event that showcases picture-book authors, a best-selling steamy romance writer,
and more "literary" types? In Vermont, of course. Specifically, in Greensboro, where the
Green Mountain Arts Alliance & Residency's Writers' Forum will happen from August 11 to 20.
This isn't one of those expensive writing conferences where you can meet publishing professionals and pitch your book to them. It
is an event where you can pay $10 to $15 for a workshop with local best seller
Anne Stuart or kids' author
Natalie Kinsey. Readings over the two weeks carry the same price (actually a suggested donation), with an all-access pass available for $50.
And it (almost) all happens in a tent.
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Posted
By
Margot Harrison
on Fri, Apr 17, 2015 at 2:35 PM
What sells a book best: the words on the page? Or the marketing?
Brigantine Media, a small publisher based in St. Johnsbury, is betting on both. On Monday, the company announced its new
Publish or Perish Writing Contest. The prize? A publishing contract with a $2,000 advance on royalties. The requirements for entry? A manuscript and a marketing plan. The contest's "twist" is that both are weighed equally. Acquisitions editor Neil Raphel says to "Think 'American Idol' crossed with 'Shark Tank.'"
Every writer who's ever looked at Google ads knows that "writing contests" are as common as dodgy publishers eager to put out your book. Both tend to have one thing in common: They want your money.
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Posted
By
Ethan de Seife
on Tue, Apr 7, 2015 at 4:25 PM
Ellen Forney
"Creamsicle" by Ellen Forney
Cartoonist
Ellen Forney, who has won acclaim for her 2012 graphic novel/memoir
Marbles: Mania, Depression, Michelangelo & Me, will visit the area this week to give talks at
Dartmouth College and the
Center for Cartoon Studies.
Marbles is ostensibly about Forney’s
diagnosis of bipolar disorder, but it is equal parts meditation on the nature of creativity and well-researched history of bipolar artists of all kinds.
Forney lives in Seattle and teaches cartooning at that city’s
Cornish College of the Arts. As she was packing her suitcase for the trip east, she took a few moments to speak by phone with
Seven Days about her work.
SEVEN DAYS: What’s the occasion for your visit to Vermont and New Hampshire?
ELLEN FORNEY: I’ve known [CCS cofounder] James Sturm since he lived in Seattle in ’93. He was the art director of [altweekly] the
Stranger, and that was one of my first jobs as a cartoonist/illustrator. When I started teaching at Cornish College for the Arts in 2002, he was a huge help in my putting together my curriculum. And I still haven’t been out there, so I feel like my visit is long overdue.
SD: You said that writing
Marbles took a lot out of you. What did you mean by that?
EF: The story of my bipolar disorder was a story I hadn’t really told before
Marbles. I wasn’t “out” about my disorder. So, gathering the materials for the book and then putting it out into the world just took a lot of emotional, social and professional energy. I had never done a full book before — most of my work I would consider graphic essays. So even logistically it was new.
Going through a lot of really difficult and often painful experiences, you kind of push those things under the rug as you go on about your life. Delving into them can be very depressing.
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Posted
By
Ethan de Seife
on Thu, Jan 29, 2015 at 9:02 AM
Courtesy of the University of Vermont
Alan Alda
The talented actor and director
Alan Alda, who will give a talk at the University of Vermont on February 2, is probably tired of writers’ constant references to his role as
Dr. Benjamin Franklin “Hawkeye” Pierce on the beloved TV series “M*A*S*H.” But that’s not going to stop me from doing it, anyway. Apologies, Alan. I do genuinely admire your other work, too. (I've always thought
Sweet Liberty was underrated.)
Upon learning that Alda would be speaking about his work with his eponymous
Center for Communicating Science at Stony Brook University, my mind flashed back to an episode of “M*A*S*H” that has always stuck with me.
In “
The Moon Is Not Blue,” an episode from the show’s 11th and final season, Hawkeye and B.J. Hunnicutt administer pills to one Corporal Bannister for the treatment of his diminished self-confidence, and to Corporal Klinger for his inability to cope with a torrid heatwave. In both cases, the “medicine” is just sugar pills, placebos given by sneaky doctors to unwitting patients. Clueless, both Bannister and Klinger report that the pills perform as advertised.
I think that, even though I was only 9 at the time, I remember the episode relatively well because it was the first time I learned of the p
lacebo effect, a concept that astonished me.
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Posted
By
Xian Chiang-Waren
on Tue, Jan 20, 2015 at 2:32 PM
click to enlarge
Courtesy of Catamount Arts
A print by Laurence Gartel
Catamount Arts has come a long way since May 1975 when its founder, filmmaker
Jay Craven, packed a projector, a couple of ladders and some two-by-fours into his car and drove around the Northeast Kingdom screening films. Over the decades, Catamount established itself in the former Masonic Lodge in St. Johnsbury, where its organizers have held film screenings, displayed visual art and hosted a variety of educational arts programs.
In 2008, renovations to the bottom two floors of the building enabled Catamount's leaders to "really make a huge leap for ourselves by having this wonderful facility, but also evaluating who we are and what we do," says executive director Jody Fried.
Now entering its 40th year — the official anniversary is in May — the Northeast Kingdom's primary arts hub is gearing up for a celebratory year. It even has a flashy new anniversary poster (see above) designed by the nationally recognized digital-arts pioneer Laurence Gartel. A native of the NEK, he was recently named the official artist of the 57th Grammy Awards.
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Posted
By
Margot Harrison
on Mon, Jan 19, 2015 at 9:00 AM
Courtesy of Geek Mountain State
What better time to read — or write — than during winter doldrums? Two events planned for the end of January could inspire you to get your butt off the couch and come meet likeminded literary folks.
The pulp-style poster (right) for the latest installment of the Vermont Speculative Fiction Writer's Series certainly gets the blood pumping. This reading series is a great way for SF and fantasy fans to meet local published writers in their genres — such as
Brian Staveley, whose latest epic fantasy
The Providence of Fire is just out from Tor. Kirkus compared him to George R.R. Martin in a starred review.
The next reading, called "Vermont Stories of Imagination!" happens on Saturday, January 24, at noon at the
Vermont History Museum in Montpelier, and features writers with track records in publishing short (and long) speculative fiction: Sean-Patrick Burke, F. Brett Cox, Kane Gilmour, Mike Luoma, Aimee Picchi and Ginger Weil.
More details here.
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andrew liptak
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Posted
By
Ethan de Seife
on Tue, Nov 11, 2014 at 2:00 PM
click to enlarge
Courtesy of David Dobbs
Science writer David Dobbs
Montpelier's David Dobbs, a science writer
whom Seven Days profiled in June 2014, has won a
prestigious Kavli Science Journalism award from the American Association for the Advancement of Science for his 2013 essay "The Social Life of Genes." Dobbs won for the "magazine" category; other prizes were awarded to science journalism in print, on television and radio, and online. The awards were announced on November 6.
Funded by and named for the Kavli Foundation — a trust dedicated to "advancing science for the benefit of humanity" — the award consists of a $3,000 prize that Dobbs will collect at the AAAS conference in San Jose in February 2015. Founded more than 150 years ago, the AAAS is one of the oldest and most respected of all American science foundations; the organization also publishes the journal
Science.
"The Social Life of Genes," which was
originally published in the journal Pacific Standard, investigates the ways in which organisms' social environments affect the expressions of their genes. In its treatment of genetics as a branch of social science, the essay suggests new and controversial avenues for the study of heredity.
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Posted
By
L.E. Smith
on Mon, Nov 3, 2014 at 2:41 PM
Courtesy of Lisa Von Kann
Galway Kinnell
Circles are all around us. Galway Kinnell knew this. Much of his poetry explores the organic and spiritual patterns of human and animal motivation. He says of his son in “Fergus Falling”: “He climbed to the top / of one of those million white pines / ...probably to get out / of the shadow / ...of his father....”
Galway’s fade into spirit is as instructive as his poetry. I last saw him on August 7 at the Vermont Statehouse for a
celebration of his life and art. He was frail and, sadly, nearly uncommunicative when asked for closing remarks. His son came to his side and said the thank-yous Galway was struggling to say. He already had that faraway focus that spoke to me of his impending journey to another place.
I used to play tennis with Galway at Lyndon State College and in St. Johnsbury. I’m very competitive. When playing doubles with Galway in the mix, I could lighten up and enjoy the game and give up caring about the outcome. But when he and I played singles, I took it personally. I attacked the net and put those games away quickly. He was always surprised to see how much more effective I was as a singles player than as a doubles player. I didn’t have the nerve to say that was because I have always wanted to write a better poem than he, or at least one that competed in the same arena. I never could. I never did. So I turned to prose.
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