Burlington's Generator has announced that executive director Lars Hasselblad Torres "has moved on to pursue other opportunities."
Torres has led the emerging maker space for two and a half years, during which time the facility moved from Memorial Auditorium to the South End. While the board looks for a new director, founding board member Michael Metz will serve as interim director.
"Throughout his tenure," a press release by board member Dan Harvey reads, "Lars oversaw some important growth in membership, programs and partnerships, and managed the move to our new home at 40 Sears Lane in Burlington. We thank him for his contributions and wish him well."
Torres was unable to comment for this post when reached on Friday afternoon. On his Facebook page, he wrote, "Friends, I have summarily become a freelancer," and asked if anyone had leads on potential jobs.
This post will be updated as information becomes available.
Clarification, July 23, 2017: This article previously indicated portions of the Generator website were taken down; that was due to a technical problem and unrelated to Hasselblad Torres' departure.
This week, a special guest showed up to lead Generator's Stitch and Bitch session, which is organized and led by designer Lucy Leith. BINA48 is a "sentient robot," whose name stands for "Breakthrough Intelligence via Neural Architecture." While Bina doesn't have hands — right now all she has are a head and shoulders — she can chat up a storm.
For the first hour of the Stitch and Bitch, her handler, Bruce Duncan, assisted the attendees in asking her questions about life, politics and her own "humanity." The results were more than a bit amusing — and sometimes frightening.
Since October 2016, experimental and avant-garde musicians from all over North America have presented their work as part of the bimonthly music series Signals. Local sonic innovator Greg Davis curates and hosts the series in conjunction with local creative audio software company Soundtoys. Brooklyn-based composer Koen Holtkamp is next on the docket and performs this Saturday, April 15, at Soundtoys' Hood Plant location in Burlington.
Burlington's Generator has completed the move from its former home in Memorial Auditorium to new digs on Sears Lane in the city's South End. The move was financed by a $300,000 fundraising campaign. Leased from Champlain College, the new Generator includes some notable changes.
One of them, explained director Lars Hasselblad Torres, is a new key card system installed by John Yasaitis, a former Generator member and a cofounder of the Alternator lab on Pine Street. The system allows studio members to access the studio any time of day or night.
Generator's educator-in-residence program is also new. The maker space is offering a Vermont educator two months of free studio time and a $500 monthly stipend. The goal, said Torres, is to provide the teacher with the time, and physical and intellectual resources, to develop a new curriculum.
Kochalka is known for his adorable, emotive comics such as American Elf and Johnny Boo — and for being Vermont's first comic laureate. (His successor, Edward Koren, now holds that title.) He's also the front man for band James Kochalka Superstar, with fans around the world.
Generally, Taylor's episodes — which run about 10 minutes long — focus on tech-centric businesses such as Marguerite Dibble's Game Theory or Richmond-based robotics company Greensea Systems. For his segment, however, Kochalka focused less on the tools usually associated with innovation and more on its source.
On Tuesday night, Champlain College professor and poet Brian Murphy took to the stage of ArtsRiot to address about 15 attendees. The Pine Street venue is known for packing the house for touring musical performances, but the smaller turnout for Murphy suggests fewer people appreciate the club's other cultural offerings. They should.
Murphy was the first speaker in the fall season of the Vermont Humanities Council's Ideas on Tap series, which started in spring 2015. VHC collaborates with the Humanities Center at the University of Vermont to produce the events. The aim is to deepen conversations about the environment, society or history, pairing a scholarly lens with good food and beer. Not to mention, it's free.
Eben Bayer is coming home to talk about mushrooms. The Vermont native who grew up in South Royalton is speaking at the University of Vermont today, October 17, about his new line of homegrown furniture. Well, factory-grown. Bayer's company, Ecovative, just released a line of furniture made entirely from mycelium and organic matter, such as corn husks and other agricultural byproducts.
His presentation, titled "Disrupting Everything: How Biological Technology Will Fuel the Sustainable Revolution," is on the fourth floor of the Davis Center at 4 p.m. Its sponsors are UVM's Community Development and Applied Economics, the Energy Alternatives class, and Vermont Businesses for Social Responsibility.
The furniture joins Ecovative's existing line of biodegradable packaging materials, which are used by corporate giants including Dell and Crate & Barrel, as well as smaller folks such as Rich Brilliant Willing, a lighting designer and manufacturer. Those molded items, Bayer says, are incredibly lightweight. They're also a heck of a lot better for the planet than Styrofoam, or polystyrene, which takes hundreds of years to decompose. Not to mention it's a carcinogen.
In his opening remarks, Burlington International Airport aviation director Gene Richards dubbed the airport's two new interactive art installations as "advertisements, with a twist." Just behind his head, a red and yellow biplane toot-tooted cheerfully among digital clouds. The 70-inch wall-mounted monitor is the vehicle of "Flight," one of two new works developed by students at the Emergent Media Center at Burlington's Champlain College.
In game programmer James Keats' words, "Flight" lets passengers and passersby do that thing that we all do as little kids: "pretend to be a plane." Adapted from a Microsoft Xbox 360 Kinect, the experience uses skeletal tracking technology — motion detectors — to let viewers standing in front of the screen "become" the plane/pilot and control its gentle, ever-forward trajectory through their own movement.
Have you noticed more people than usual wandering Burlington glued to their smartphones this week? You’re not imagining it: They’re playing Pokémon Go.
The smartphone augmented-reality game, released last week, uses the phone's GPS to show players a map of their real-world surroundings — with the Pokémon world layered on top. Landmarks and local businesses become "Pokéstops" where nearby players can check in to collect items, or virtual "gyms," where players can train their Pokémon. While walking around in the real world, players may encounter Pokemon, which appear on screen and can be captured using the phone's camera.
In Burlington, local Poképlayers have headed to central locations to battle, collect items and socialize. Kids VT intern Andie Pinga found some of them wandering the Church Street Marketplace on Tuesday afternoon.
Elsewhere in Vermont, park rangers had some fun in the field:
And the organizers behind Vermont Comic Con have already added a Pokémon Go meet-up to their schedule of events in late August.
So is the app a fun diversion or have we reached the Poképocalypse? You decide — and please, don't walk into traffic while you're staring at your screens.
At Champlain College last Thursday, Morehshin Allahyari talked to a room full of mostly white Vermonters about "digital colonialism." It wasn't the center of the conversation, but the uncomfortable topic surfaced multiple times — not surprisingly, given the nature of Allahyari's work.
The Iranian-born artist and activist was the fifth speaker to participate in Generator's BIG Maker series. She was there to discuss her ongoing project "Material Speculation: ISIS," which, according to her website, "inspects petropolitical and poetic relationships between 3D printing, plastic, oil, technocapitalism and jihad."