Movies | Live Culture | Seven Days | Vermont's Independent Voice
Friday, October 17, 2014

Posted By on Fri, Oct 17, 2014 at 3:45 PM

Movies You Missed: Haunted Homes and Serial Killers
From Serial Killer Culture: David Van Gough with one of his Sharon Tate paintings.

This week in movies you missed: Why do people spend months turning their homes into Halloween scare houses? Why do they flock to tours of Jeffrey Dahmer's Milwaukee haunts? Why do they collect the autographs and artwork of serial killers?

Two recent Halloween-y documentaries, The American Scream and Serial Killer Culture, explore these questions about the fascination of fear.

What You Missed
In the small town of Fairhaven, Mass., trick-or-treaters can visit three elaborate houses of horrors created by passionate amateurs. Directed by Michael Stephenson (Best Worst Movie), The American Scream profiles them, with a special emphasis on family man Victor Bariteau.

An IT guy by day, Bariteau grew up in a religious home where Halloween wasn't observed. Determined to make up for lost time, he bought his home largely for its perfect trick-or-treating neighborhood. Now he painstakingly crafts gruesome models and animatronics to scare his neighbors, while his wife, two daughters and pet ferrets help out, with various degrees of enthusiasm.

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Friday, October 10, 2014

Posted By on Fri, Oct 10, 2014 at 2:00 PM

Movies You Missed: The Sacrament
Magnolia
A.J. Bowen plays a Vice reporter who finds himself covering a thinly veiled version of the Peoples Temple.

This week in movies you missed:
It's October again, season of crappy horror releases, so I'm on the hunt for a scare flick that will actually scare me. Where better to look than among movies I missed?

Let's start with The Sacrament, the latest from director Ti West (The House of the Devil, The Innkeepers). This found-footage film has a simple premise: What if Jonestown had happened last year, and Vice Media was there to film it?

What You Missed
Vice reporter Sam (A.J. Bowen) explains self-importantly to the camera that he practices a new form of gonzo journalism called "immersionism." Next up: He'll immerse himself in a utopian community that could well be a cult.

Sam's photographer friend Patrick (Kentucker Audley) has arranged to visit his ex-addict sister at Eden Parish, an overseas colony built by a religious community with a charismatic leader called "Father." Patrick, Sam and Vice photographer Jake (prolific indie director Joe Swanberg) take a helicopter into the jungle, where they're met by guards with machine guns.

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Saturday, October 4, 2014

Posted By on Sat, Oct 4, 2014 at 8:53 AM

Montréal Celebrates Festival du Nouveau Cinéma
Courtesy Festival du Nouveau Cinéma
Salt of the Earth
Attention, lovers of cinema: Hie thyselves northward. The 43rd annual Festival du Nouveau Cinéma beckons from Montréal.

Dedicated to the newest of the new in film, the 11-day FNC includes films, videos and interactive digital works from all over the world. All types of moving-image artworks — nearly 400 of them — make up the program: animated and live-action; fiction, documentary and avant-garde; funny, serious, confusing and everything in between.

Cinephiles who wish to see the latest by master filmmakers can feast on new works by Jean-Luc Godard (Adieu au langage), Bruno Dumont (P'tit Quinquin) and David Cronenberg (Maps to the Stars), among others. The festival is also particularly rich in new independent films, such as the Kazakh film The Owners and the Lebanese film Scheherazade's Diary.

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Friday, October 3, 2014

Posted By on Fri, Oct 3, 2014 at 3:05 PM

click to enlarge Movies You Missed & More: Detention
Samuel Goldwyn
"You see us as you want to see us — in the simplest terms, in the most convenient definitions. But what we found out is that every one of us is the entire history of teen movies."
This week in movies you missed: WTF did I just watch, and can I watch it again?

Director Joseph Kahn's little-seen 2011 horror comedy is the film Easy A should have been. Namely, a self-referential high school flick that takes the genre to the limit and drops it off a cliff, then stands and watches gleefully as it explodes into candy-colored smithereens.

What You Missed

The resident queen bee of Grizzly Lake High (Alison Woods) rises from her bed and lectures the camera on the art of being popular, Ferris Bueller-style. No sooner has she explained the day's fashion statement ("The '90s are the new '80s") than a knife-wielding maniac dressed like the villain of the Cinderhella film series appears and puts a merciful (for us) end to her existence.

Meanwhile, in another bedroom, misfit Riley Jones (Shanley Caswell) is considering suicide. Her former BFF (Spencer Locke) has morphed into an evil cheerleader and stolen her secret crush (Josh Hutcherson, who got a huge career boost from The Hunger Games shortly after this was released). The school's resident geek (Aaron David Johnson) won't stop propositioning Riley; and the only person less cool than she is is the girl who committed an unspeakable act on the school's resident stuffed grizzly bear in 1992.

I've just described the film's first 10 minutes, tops. The plot spins out of control as we meet more dramatis personae: the vengeful nerd principal (Dane Cook); the pissed-off quarterback (Parker Bagley), who hides a dark secret; a goth girl; a geek named Toshiba; Ione's cougar mom; the guy (Walter Perez) who's been in detention for literally decades; and, of course, the killer hiding behind Cinderhella's bloody prom dress.

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Wednesday, October 1, 2014

Posted By on Wed, Oct 1, 2014 at 1:28 PM

Morrisville Author John Fusco Writes Crouching Tiger Sequel
Courtesy of John Fusco
Director Yuen Woo-Ping and writer John Fusco on the set of Crouching Tiger, HIdden Dragon II: The Green Destiny
Nearly 15 years ago, director Ang Lee scored a major international hit with Crouching Tiger, Hidden Dragon, a film that uses Hollywood-style storytelling to introduce global audiences to the wonders of Hong Kong martial arts films.

The movie, which stars legendary Hong Kong actors Chow Yun-Fat and Michelle Yeoh, grossed more than $200 million worldwide, and inspired all manner of ancillary materials: comic books, video games, even a TV series in Taiwan — but no sequel, a surprising thing for a film that raked in critical acclaim as well as box-office returns.

Next summer, the film's many fans will finally have the chance to see its story continue, thanks in part to Morrisville screenwriter John Fusco. Fusco wrote the screenplay for the sequel Crouching Tiger, Hidden Dragon II: The Green Destiny, which is currently in production under the direction of legendary martial arts choreographer and director Yuen Woo-Ping. Michelle Yeoh reprises her role in the sequel, and is joined by the martial-arts film star Donnie Yen.

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Monday, September 29, 2014

Posted By on Mon, Sep 29, 2014 at 8:35 AM

click to enlarge In a New Film, Freeskiers Work It '5 to 9'
Courtesy HG Skis / Charles Stemen
You probably shouldn't try this kind of thing.

UPDATE (October 7, 2014):
5 to 9 has just been made freely available online by its makers, and you can watch it in full below. That means that you can now vicariously experience some seriously hardcore winter-sports acrobatics. Gear up for winter without leaving the comfort of your own computer desk!

HG Skis Presents: 5 to 9 FULL MOVIE from HG Skis on Vimeo.


In high school, my friend Chris used to work in our town's skate shop. He worked the counter, selling "trucks" and wheels and other stuff that skateboarders understood. I never 'boarded but had several friends who did, and we all used to hang around at the store when Chris was working. On the wall behind the counter, the store owners had mounted a TV with a VCR and, when we weren't watching The Song Remains the Same or Pink Floyd: The Wall, we watched skate videos.

These were unencumbered by narratives, composed of shot after shot of incredible skateboard stunts (and plenty of wipeouts — the funnest parts). They were usually set to thrash music, which is how I got my taste for Suicidal Tendencies. As a budding film enthusiast, I was interested in these videos. Now I see that they're actually pretty close to avant-garde film in their rejection of story and emphasis on astonishing visuals. 

Screening this week for the first time in Vermont is the new film 5 to 9, directed by Charles Stemen and Sam Rogers. Produced by the Burlington-based freestyle ski company HG Skis, the film isn't exactly avant-garde. But viewing it brought me back to the days of watching all those VHS tapes of skateboarders riding and crashing spectacularly.

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Saturday, September 27, 2014

Posted By on Sat, Sep 27, 2014 at 8:43 AM

click to enlarge What I'm Watching: RoboCop
MGM Pictures
One of the reasons I return again and again to Paul Verhoeven's sci-fi satire RoboCop is that the film masterfully balances bleak satire, ultraviolence and goofball humor — three flavors that, if mixed by less talented hands, might not have combined quite so well. I've seen this movie (the 1987 original; I have little truck with its sequels, and have not seen the 2014 remake) many times, but that's never stopped me from revisiting it, which I did last week.

RoboCop just looks more and more prescient every year: Its bitter commentary on the militarization of urban police forces couldn't help but evoke recent events in Ferguson, Mo. Good satire endures, and RoboCop, to my eyes, remains entirely fresh. I didn't understand in 1987, and don't understand now, how some viewers can fail to take note of the film's social satire, but evidently this misapprehension persists. It's not hard to track down reviewers who take high-and-mighty moral stances about the film's famously over-the-top violence, and therefore condemn the film as a whole. Context, people. Context.

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Friday, September 26, 2014

Posted By on Fri, Sep 26, 2014 at 1:26 PM

Movies You Missed & More: The Rover
A24
"No more 'Twilight' sequels, do you hear me? NO MORE."
This week in movies you missed: Robert Pattinson sports bad teeth and a bizarre Southern accent in a bleak futuristic Western from director David Michôd (Animal Kingdom).

What You Missed
A title card tells us 10 years have passed since the global "collapse." In the sparsely populated Australian outback, Eric (Guy Pearce) is minding his own business when three punks fleeing a robbery happen along, crash their car and steal his.

That was a mistake. Because Eric will do whatever it takes to reclaim his unprepossessing vehicle, and he has no qualms about killing those who stand in his way.

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Monday, September 22, 2014

Posted By on Mon, Sep 22, 2014 at 12:03 PM

click to enlarge What I'm Watching: Don't Look Now
Paramount Pictures
The answers aren't up there.
My wife had never seen Nicolas Roeg's wonderful, unsettling 1973 film Don't Look Now, so we watched it recently — she for the first time, me for the 10th or so, though it had been several years since I'd last seen it. It impressed me as much as, or more than, it ever has. It's such a sinister, unpredictable, downright strange film, and it still manages to instill in me a sense of foreboding and mystery. Nothing will ever convince me of the existence of extrasensory phenomena like ESP and clairvoyance — the latter of which is a central theme of the film — but Don't Look Now comes closer than anything else, so compelling is its vision of otherworldliness.

As odd as Don't Look Now is — and if you haven't seen it, I urge you to check it out (it's streaming on Netflix) before continuing, as here there be spoilers — it stars major actors of the time (Donald Sutherland and Julie Christie), and was released on a wide scale by a major studio, Paramount Pictures. It still sometimes astonishes me that 1970s cinema audiences could see such challenging fare as Don't Look Now simply by going to their local theater. It's been said many times, but the 1970s really was a remarkable time for filmmaking. 

This time around, I really focused on the ways that the title creates and emphasizes various meanings in the film. As someone who has trouble coming up with headlines for his articles, I'm impressed at titles that perfectly, and complexly, inform the cinematic experience. I would argue that Don't Look Now has such a title.

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Monday, September 15, 2014

Posted By on Mon, Sep 15, 2014 at 8:58 AM


Call it mercenary, if you like, that all of the Beatles' albums have recently been reissuedagain — on the 50th anniversary of the band's first incursion into America. Some of us have purchased them several times over, perhaps even taking note of the improvements in sound quality. But, as many fans seem to agree, when the music on those albums is arguably still the best pop music ever recorded, it's a worthwhile investment.

The Beatles were more than a band, of course. They were an international phenomenon, and they left behind a remarkable legacy in other media, as well as music. Of their four fiction films, none is better than their debut, A Hard Day's Night, which has also been extensively restored for its 50th anniversary.

The new 4K digital restoration will play for one night only in Burlington, on Thursday, September 18, at the Main Street Landing Film House, presented by the Burlington Film Society and the Vermont International Film Foundation

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