Posted
By
Ethan de Seife
on Tue, Nov 11, 2014 at 9:30 AM
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Magnolia Pictures
Force Majeure
Force Majeure, Sweden's 2014 Oscar submission for Best Foreign Language Film and winner of the
Un Certain Regard Jury Prize at the most recent Cannes Film Festival, storms its way into Burlington's
Main Street Landing this week, courtesy of the
Burlington Film Society.
The critically acclaimed drama, written and directed by
Ruben Östlund, concerns the members of a picture-perfect Swedish family whose lives are thrown into utter turmoil when an avalanche hits the ski resort at which they're vacationing. Yet it's not so much the avalanche itself that throws their lives into chaos; rather, it's a choice made by the family patriarch that jeopardizes everything. (Revealing any more would be telling!)
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Posted
By
Ethan de Seife
on Mon, Nov 10, 2014 at 4:09 PM
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Sareet Rosenstein | Courtesy of VTIFF
Volunteers Sophia Howatt and Steve Sweeney at the info table
Organizers haven't quite finished tallying up ticket sales, but the recently concluded 29th annual
Vermont International Film Festival appears to have been a significant success. Attendance was up, and, more importantly, the festival seems to be on a path of stability and organizational sophistication.
VTIFF's executive director, Orly Yadin, reports a grand total of 4,706 admissions for the 2014 festival. That's a jump of 10 percent from the 2013 figures, which were 20 percent higher than the numbers from 2012.
"About a third" of this year's admissions, Yadin says, were technically unpaid, but that's actually a good thing. VTIFF (the acronym stands for both the festival and its parent organization, the Vermont International Film Foundation) now has about 150
members who pay at one of three levels. "Friends" and "Supporters" get discounts on festival tickets, among other perks, while "Patrons" get all-access passes with their membership payments.
Yadin is eager to attract more members, whose advance, lump-sum payments help the festival achieve greater economic constancy. "Stability is the most crucial thing for us," she says. "Until this year, all of our income had been unstable."
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Posted
By
Margot Harrison
on Fri, Nov 7, 2014 at 3:37 PM
Phase 4 Films
Matt prepares to fulfill what he believes is his destiny.
This week in movies you missed: Yes, there's a found-footage film about a school shooting. But it's not the sensationalist attention-grab you might expect.
What You Missed
Matt (Matt Johnson, who also directed, produced, cowrote and co-edited) and Owen (Owen Williams) are two Canadian high school students making a movie. It's called
The Dirties, and it's a revenge fantasy about destroying the bullies who dog them at school.
Matt, who has a basement full of movie posters, has stuffed his debut auteur effort with swaths of dialogue from
Pulp Fiction and obscurer references to films like
Irreversible. Owen is happy just to go along for the ride and "shoot" prop guns.
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Posted
By
Ethan de Seife
on Mon, Nov 3, 2014 at 4:07 PM
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Courtesy of Cinemania
Cinemania's closing night film, Party Girl
Good news for voracious local cinephiles! If, after the 10-day main course of the
Vermont International Film Festival, you still find yourselves with room for cinematic dessert, drive north to Montréal's
Cinemania Festival.
Cinemania's 20th anniversary event, which runs November 6-16 at the luxe
Imperial Cinema in downtown Montréal, boasts 55 films (a record for the fest) from all over the world, including works by established directors as well as talented newcomers. The festival's selections place an emphasis on French and Québécois cinema — but fear not, non-Francophones: All films will be screened with English subtitles.
Film lovers might recognize the names of
François Ozon,
Olivier Assayas,
Benoît Jacquot or the
Dardennes Brothers, all of whose latest films will screen at Cinemania. Also showing, among many others, is
Abuse of Weakness, the latest film by the ever-controversial Catherine Breillat, a film that recently played at VTIFF.
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Posted
By
Ethan de Seife
on Sat, Nov 1, 2014 at 8:40 AM
When
Rango came out a few years ago, my friend Pam and I saw it independently and compared notes afterward. We were both surprised by how we liked it. She remarked (and I'm paraphrasing here), "Yeah, who woulda thought that
the schmuck who made those stupid
Pirates of the Caribbean movies had something like this in him?"
I felt the same. The
Pirates movies are, in my opinion, pretty dumb: big, needlessly complicated and bursting with messy and overwrought computer animation. Even the great Bill Nighy couldn't redeem those movies for me. But
Rango is smart, funny and exceedingly enjoyable. Not long after seeing it in the theater (which, memorably, had a leak in its roof — a hilarious coincidence, given that the film's story revolves around water), I purchased the film on
Blu-Ray, and have watched it several times since.
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Posted
By
Margot Harrison
on Fri, Oct 31, 2014 at 3:00 PM
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IFC Films
Grandma, what big teeth you have!
This Week in Movies You Missed: Of course I have a Halloween movie for you — if you don't mind that this outrageous Spanish import is more funny than scary.
What You Missed
Deep in the woods, three witches are receiving a prophecy about the "chosen one." "A yellow sponge?" one says dubiously, reading the cards. "Jesus Christ? A green soldier?"
It all becomes clear in the next scene, set in Madrid, where we discover a fellow named José (Hugo Silva) robbing a gold dealer dressed as Jesus, complete with loincloth and crown of thorns. His accomplices have equally silly getups, including SpongeBob SquarePants and a green soldier. Oh, and he's brought along his 10-year-old son (Gabriel Delgado) so they can bond while aiming semi-autos at cowering employees.
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Posted
By
Ethan de Seife
on Sat, Oct 25, 2014 at 4:19 PM
Last evening, at the opening-night party that immediately followed the screening of Lukas Moodysson's crowd-pleasing
We Are the Best!, the
Vermont International Film Foundation announced the winners of the state's equivalent of the Oscars.
Announced by Eva Sollberger,
Seven Days employee and creator of the long-running video series
Stuck in Vermont, the awards celebrated the best and most innovative Vermont films and filmmakers submitted to the fest, as decided by VTIFF judges. (Not all of the Vermont Filmmakers' Showcase films had been screened at the fest at press time; judges viewed all submissions in advance of the festival.) A packed house at Burlington's Skinny Pancake noshed on noshables as Sollberger read the results from a small stage.
The big winner of the evening was "11 Paper Place," a charming, digitally animated film supervised by Daniel Houghton and featuring the talents of several of his film students at Middlebury College. "11 Paper Place" won the evening's two most prestigious prizes: the Ben & Jerry's Award, which goes to the Vermont film that most eloquently raises environmental issues; and the James Goldstone Award for the most promising emerging Vermont filmmaker. (Disclosure: Houghton is the spouse of
Kids VT Managing Editor Megan James.)
11 Paper Place from daniel houghton on Vimeo.
Another multiple-award winner was Robert Fritz's feature-length supernatural drama
Past Tense, which picked up the awards for both Best Acting and Best Screenplay.
"Dark Legacy," a short film about evil porcine spirits, won Best Cinematography; Rob Koier's "The North Star," a short about an escaping slave, won the Footage Farm USA award for its raising of important global issues. The ceremony concluded with an open invitation from Vermont PBS for Vermont filmmakers to submit their works to the network for its planned showcase of in-state cinematic talent on the new channel
Vermont PBS Plus.
This was just Day One of the festival. VTIFF will screen nine more days of films, both local and global, at this 29th annual event.
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Posted
By
Margot Harrison
on Fri, Oct 24, 2014 at 12:13 PM
This week in movies you might miss: the "first Iranian vampire western."
You can kick off Halloween week in style by catching
A G
irl Walks Home Alone at Night, the debut feature from writer-director Ana Lily Amirpour, on Sunday, October 26, 10 p.m., at Burlington's ArtsRiot as part of the
Vermont International Film Festival. (Tickets, $5-10.)
What You Might Miss
Somewhere in Iran, there's a place called Bad City dominated by a gigantic power plant and a fleet of idle oil wells. A place that appears to be inhabited mostly by pimps, whores, drug dealers, addicts and party girls.
Arash (Arash Marandi) is none of the above. He's a gardener with a sports car who likes to wear tight T-shirts and pose like James Dean. When his junkie dad (Marshall Manesh) runs afoul of a vicious dealer (Dominic Rains), he's in danger of losing everything he loves — but not for long.
Because someone else stalks the streets of Bad City. She (Sheila Vand) wears a chador and a Breton-stripe top like Jean Seberg in
Breathless. She follows men. Quiet and demure, she invites them home with her. She decides for herself what they deserve. And she executes her judgment — sometimes with fang and talon.
Posted
By
Ethan de Seife
on Thu, Oct 23, 2014 at 9:00 AM
click to enlarge
Courtesy Brattleboro Film Festival
A mysterious underwater typist in Angel Azul, screening at the Brattleboro Film Festival.
Its sister festival to the north may sport a larger budget and a wider sampling of films, but the
Brattleboro Film Festival is seriously bringing the cinema to southern Vermont.
With a program that spans more than 10 days, the third annual Brattleboro Film Festival, which will take over the town's historic downtown
Latchis Theatre, features 31 films and a number of special events. Cinephiles who live halfway between Brattleboro and Burlington may find themselves torn, as the BFF and the
Vermont International Film Festival overlap from October 31 through November 2.
In fact, the two festivals share more than the same space in the calendar. Five films — including the undersea documentary
Angel Azul, the Brazilian animated feature
The Boy and the World and the acclaimed documentary
The Overnighters — will play at both fests.
Other films in the Brattleboro Film Festival hail from such countries as South Africa, Sweden and Japan, and include everything from anime to films about sex-centric road trips to a documentary about two of the royal families of American folk music. Fiction films, documentaries, features and shorts are all represented in a wide-ranging, diverse program.
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Posted
By
Margot Harrison
on Fri, Oct 17, 2014 at 3:45 PM
From Serial Killer Culture: David Van Gough with one of his Sharon Tate paintings.
This week in movies you missed: Why do people spend months turning their homes into Halloween scare houses? Why do they flock to tours of Jeffrey Dahmer's Milwaukee haunts? Why do they collect the autographs and artwork of serial killers?
Two recent Halloween-y documentaries,
The American Scream and
Serial Killer Culture, explore these questions about the fascination of fear.
What You Missed
In the small town of Fairhaven, Mass., trick-or-treaters can visit three elaborate houses of horrors created by passionate amateurs. Directed by Michael Stephenson (
Best Worst Movie),
The American Scream profiles them, with a special emphasis on family man Victor Bariteau.
An IT guy by day, Bariteau grew up in a religious home where Halloween wasn't observed. Determined to make up for lost time, he bought his home largely for its perfect trick-or-treating neighborhood. Now he painstakingly crafts gruesome models and animatronics to scare his neighbors, while his wife, two daughters and pet ferrets help out, with various degrees of enthusiasm.
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