Posted
By
Ethan de Seife
on Sat, Aug 29, 2015 at 9:09 AM
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Complex / This Is That Productions
A young Daniel Johnston holding one of his homemade cassettes
In college, I spent a lot of time hanging out with music nerds. At that time, compact discs were seen as most excellent, indeed, and cassette tapes were not so unhip as to be met with scorn. I had — and have — large collections of music in both formats. I have a couple of Edison discs somewhere, too. Not kidding.
It was on a hissy 11th-generation cassette in 1991 that I first heard the music of
Daniel Johnston, about whom little was then known in the musicophile circles in which I ran. Though Johnston had been recording his unique music for a decade by that point, information about him apparently hadn’t reached college kids in New England. We knew him simply as “The Crazy Guy,” and gleaned only a tantalizing legend about the origins of his music. He supposedly worked in a Burger King and would slip home-recorded tapes of his music into the fast-food bags of pretty girls. Or so the story went.
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Posted
By
Ken Picard
on Fri, Aug 28, 2015 at 4:30 PM
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Courtesy of James Kochalka
An image from "LEAF"
Call it "graphic poetry." Two former Vermont laureates have teamed up — again — on a new project that combines poetry and cartoons.
Outgoing Vermont Poet Laureate
Sydney Lea, who cofounded the
New England Review in 1977 and has taught poetry at various colleges and universities here and abroad, partnered with former Vermont cartoonist laureate and longtime
Seven Days cartoonist
James Kochalka on a six-panel project simply called "LEAF." It's published in
Rumpus, but you also can read it below in its entirety.
This isn't the two artists' first collaboration. In 2013, the
Vermont Arts Council and the
Center for Cartoon Studies in White River Junction sponsored a slim, 12-page graphic poem Lea and Kochalka worked on together called
Vermont Double Laureate Team-Up.
Kochalka, who was laureate from 2011 to 2014 (
Edward Koren picked up the torch last year), says he drew the panels first, then gave them to Lea to add the poetry. He provided him no theme or other guidance. The two "mushroom guys" in "LEAF" are the same as the ones featured in Kochalka's 2014 graphic novel
Fungus: The Unbearable Rot of Being, an outgrowth of the "Fungus" strip that ran previously in
Seven Days.
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Posted
By
Margot Harrison
on Fri, Aug 28, 2015 at 3:56 PM
Blumhouse Productions
Duplass as Josef playing "Peach Fuzz." There's a song that goes with this dance, I'm afraid.
This week in movies you missed: It's the dog days, so let's watch a found-footage horror movie!
This ultra-cheap Blumhouse production has something of a pedigree; it won the Audience Award at last spring's SXSW. Director-cowriter-star Patrick Brice also snagged a Grand Jury Prize nomination at Sundance 2015 for his drama
The Overnight — another movie we missed in local theaters.
Finally,
Creep stars Mark Duplass, whom my colleague Ethan de Seife
recently described as "an irritating actor (and worse director) whom I simply cannot abide." While my own feelings on Duplass are considerably more moderate, I found myself wondering if
Creep had been designed specifically for those of Ethan's persuasion. Because Duplass plays the "creep" in question here.
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Posted
By
Ethan de Seife
on Tue, Aug 25, 2015 at 4:39 PM
click to enlarge
Courtesy of Sarah C. Rutherford
One of Sarah C. Rutherford's designs for the Jeffersonville silos
After a lengthier-than-expected deliberation process, the
Cambridge Arts Council has selected the artist whose work will soon adorn a pair of disused silos in the village of Jeffersonville. The fantastical, semirealistic art of
Sarah C. Rutherford will vivify the concrete silos, which are all that remain of the defunct Bell-Gates Lumber Corporation. The project is funded by a $15,000 grant from the
Vermont Arts Council and the
National Endowment for the Arts.
Rutherford was chosen from four finalists, a number that had been winnowed from the dozen proposals submitted to the CAC last spring. The three other finalists were
Mary Hill,
Anthill Collective and
Mary Lacy, the last of whom is currently
painting a mural on another pair of silos at the Burlington headquarters of
Dealer.com.
CAC member Justin Marsh, one of the so-called "Silo Sisters" who've been working on this project, says, "The concepts that [Rutherford] had given us tied into the heritage of Vermont and the history of the sawmill being there. These were things we thought people would connect with."
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Posted
By
Margot Harrison
on Mon, Aug 24, 2015 at 4:56 PM
Courtesy of Wind Ridge Books
Daniel Lusk
Wind Ridge Books recently announced that Burlington writer
Daniel Lusk has won a 2016 Pushcart Prize for his essay "Bomb," published in
New Letters, a quarterly based at the University of Missouri-Kansas City.
The
Pushcart Prize anthologies collect the "best of the small presses" in a given year. Many writers are nominated, because any small journal or press can submit its own authors for the prize, but few are chosen. Last year's winners included such heavy hitters as Russell Banks, Rebecca Solnit and former poet laureate of Vermont Ellen Bryant Voigt.
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Posted
By
Ken Picard
on Mon, Aug 24, 2015 at 4:36 PM
Photo by Liz deNiord
Chard deNiord
Chard deNiord says that one of his goals, as the soon-to-be-appointed Vermont poet laureate, is to break down the walls of fear and intimidation many people feel toward poetry. Instead, he wants to help Vermonters, especially young people, to hear and appreciate poetry as "essential language" that need not be reserved for weddings, funerals and other special occasions.
A longtime poet, writer and educator, DeNiord, 62, says he was first asked to become Vermont's next poet laureate a few weeks ago in a phone call from Alex Aldrich, executive director of the
Vermont Arts Council. An official letter from Gov. Peter Shumlin arrived August 10.
“I was stunned and humbled by this. I didn’t expect it at all,” says deNiord, a Westminster West resident who currently teaches English and creative writing at Providence College in Providence, R.I. DeNiord will replace
Syndey Lea, who was appointed Vermont poet laureate in 2011 and retires this year.
DeNiord, a native of New Haven, Conn., grew up in the Blue Ridge Mountains of Virginia. The son of a doctor, he initially expected he'd become a physician himself, but instead earned a bachelor's degree in religious studies from Lynchburg College, and later, a master's of divinity from Yale Divinity School and an MFA from the Iowa Writers’ Workshop. For five years, deNiord worked as a mental health therapist in New Haven, Conn. before pursuing his current teaching and writing career.
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Posted
By
Ethan de Seife
on Mon, Aug 24, 2015 at 1:45 PM
click to enlarge
SST Records
Thrash-rocking puppets in the video for "Just Like Heaven"
My sleep pattern used to be pretty screwy. In high school, I’d routinely stay up until two or three in the morning, soaking up televised entertainment; then, after school, I’d come home and nap on the couch for two to three hours — all the better to prepare myself for another night of late-night TV.
I’m as addicted to popular music as I am to movies, so, besides the various movie channels that my family had in our cable package, I’d often turn to MTV. This was in the mid- to late 1980s — the glory days of the channel's “alternative music” show “
120 Minutes.” The show aired on Sunday nights from midnight to 2 a.m., just when good students should have been getting the sleep they needed to focus on their schoolwork. Doing well in high school was important to me, but exposure to new music was equally vital.
I’ve always found the term “alternative music” (or “alternative rock”) to be a uniquely unuseful moniker; and I’ve never really felt that that amorphous genre played much of a role in defining my musical tastes. But I guess I’ve been lying to myself, because many of the bands that remain essential to my musical life are strongly identified with late-‘80s / early-‘90s “alternative” music: the
Jesus and Mary Chain,
Julian Cope,
Robyn Hitchcock,
Camper Van Beethoven (
especially Camper Van Beethoven),
Public Image Ltd., the
Buck Pets,
R.E.M.
I still listen to the music of all of these bands. As
Daniel Levitin (among others) have shown, the music that we listen to when we’re teenagers is always especially special to us, in large part because it gets enmeshed in the processes by which we become adults and defines our personalities to ourselves. That may be why I still like these bands. It may also be because they, along with many of the other groups showcased on “120 Minutes,” made excellent music.
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Posted
By
Ethan de Seife
on Sat, Aug 15, 2015 at 9:00 AM
Drive-In Classics / Showtime Networks
Rance Howard, Cathy Moriarty and John Astin in Runaway Daughters
I’ve been an admirer of the
films of director Joe Dante since I was a kid. His 1984 film
Gremlins, which I love dearly and still watch regularly, was surely the first of his movies that I ever saw; since then, I’ve seen just about all of his other work, too — movies and TV shows alike. (I’ve even met and interviewed him a couple times. Very nice fellow.) Last evening, I finally got around to watching one of the few Dante films that I had never seen: his 1994 TV movie
Runaway Daughters, which was one of the 10 films in Showtime’s
“Rebel Highway” series.
Produced by second-generation exploitation film producer
Lou Arkoff, this series has the stated goal of remaking a bunch of 1950s B-movies for modern audiences. They got some pretty big directors to helm these things: Robert Rodriguez, John Milius, William Friedkin.
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Posted
By
Margot Harrison
on Fri, Aug 14, 2015 at 2:52 PM
In this monthly Live Culture feature, I review the first 50 pages of a local book — and sometimes more, if I feel like it.
Back in 2013, a
Vice article called
"The Brown Mountain State" introduced the world to Vermont's heroin problem. The much-read piece was authored by two Vermonters then living in NYC: Gina Tron and Hannah Palmer Egan.
The latter is now
Seven Days' food writer; the former also returned to Vermont and
writes for the Barre-Montpelier Times Argus as Gina Conn. Her memoir authored under her pen name,
You're Fine., was published last fall by Brooklyn's Papercut Press and
written up in Interview magazine.
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Posted
By
Ethan de Seife
on Mon, Aug 10, 2015 at 4:40 PM
click to enlarge
Llu Mulvaney-Stanak
Team WBTV-LP producing its Radio Race entry
It’s no big surprise that Llu Mulvaney-Stanak is so passionate about the expressive and communicative powers of radio. When she and her twin sister were infants, their mother would bring them with her into the offices of Goddard College’s radio station
WGDR. “She took us in a basket and set us underneath the radio console while she would do her radio shows there,” says Mulvaney-Stanak.
Those radio waves must have had a strong impact, as Mulvaney-Stanak has made a career in sound. As
DJ Llu, she’s been spinning tunes for more than 15 years at nightspots all over Burlington. She hosts a weekly show on the University of Vermont’s radio station,
WRUV (and used to host
Seven Days’ podcast “Tour Date with DJ Llu”). And she’s the development and outreach coordinator for
VCAM, Burlington’s community media-making organization, where she’s involved with audio and video projects of all kinds. But, she says, “My first love is, first and foremost, radio.”
Already a fixture on Soundcloud, Mulvaney-Stanak and a small group of like-minded radio enthusiasts have used that website to share a short audio piece that seems like it could be a transmission from the future of radio. Team WBTV-LP (see below for that acronym’s significance) — which consists of Mulvaney-Stanak, Rob Henkel and Tiffany Lee — has created a radio piece titled “Tattoo a Unicorn on Your Forehead” as their entry into an online radio competition called the
Radio Race. You can hear their entry below.
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